Gibson J-45 Standard

Gibson J-45 Standard

The top of the J-45 Custom is made from AA-grade Sitka spruce, while the back and sides are constructed from pattern-grade Indian rosewood, giving the model the same full, balanced expression, warm bass, and excellent projection that earned the original J-45 its much-heralded reputation. Selecting the right wood, and the formula to dry it out, are two of the most central procedures to Gibson’s guitar-building process. Beginning with its first catalog in 1903, Gibson has assured its customers that every guitar would be built using woods with “the most durable, elastic, and sonorous qualities,” and today’s guitars from Gibson Acoustic are no different.

A rosette is the beautiful, hand-crafted circle around the soundhole, and can be one of the most ornamental elements of any acoustic guitar. It is also one of the most subtle and complicated woodworking decorations on any acoustic guitar. The rosette on the gibson acoustic j-45 standard is one of Gibson’s finest. It is a double-ring rosette with an abalone-fille iddle. The main ring consists of seven-ply binding, and the second ring is three-ply binding, adding a stylish, understated elegance to the J-45 Custom.

The Gibson J-45 Custom sits at the top of Gibson’s top-selling J-45 “The Workhorse” line, first introduced in 1942. This round-shoulder, dreadnought acoustic guitar is known for its full, balanced expression, its warm bass, and its excellent projection – much of which came through subtle changes to the bracing of its forefather, the J-35. The J-45 Custom features all that rich tone, thanks to its AA-grade Sitka spruce top and Indian rosewood body. And, for unbelievable onstage tone, there’s a premier active pickup system installed on the Gibson J-45 Custom.

The gibson j 45 electric acoustic Custom comes with LR Baggs’s popular Element Active Acoustic Pickup System, which features a low-profile undersaddle transducer that’s proven more stable and durable than many standard ribbon-type pickups. Combined with an onboard preamplifier with an unobtrusive and removable volume control, mounted just inside the soundhole, the Element is a tremendous performer. Its sleek and effective design removes unnecessary internal components to enhance the coupling between the pickup and the guitar and improve the sensitivity of the transducer for a robust, lively, and natural acoustic sound with excellent dynamics and delicate high end. The Element works with a standard 9V battery, which is housed inside the guitar in L.R. Bagg’s new “Battery Bagg.”

 

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